Search Results for: women's hour
First on Women’s Hour: I’m fine! Women’s Hour. Ankle socks? Women’s Hour. ’Part-comedy, part-theatre, part-performance art’ ★★★★ (ExeuntMagazine.com). 'Swaggering, smart and side-achingly funny' ★★★★ (WhatsOnStage.com). Commissioned by Camden People's Theatre.
Beyond Borders Scotland
Beyond Borders Scotland
With absurd movie plots, dazzling vocal loops, and a sassy demeanour, watch Mitch span and conquer the genres with his pitches. Performance artist Eric Sigmundsson presents his Edinburgh debut with this hilarious and gritty loop-pedal driven show.
Tomorrow’s Parties is a compelling performance that imagines a multitude of hypothetical futures– a playful, poignant and at times delirious reflection on futures both possible and impossible.
Presented by Braw Gigs and Nothing Ever Happens Here...
Prosumer aka Achim Brandenburg has a fever for Chicago Jack's flavour as the guardian of house music and one of the finest spinners operating today.
Joining will be Lindsay Todd aka House of Traps.
Paines Plough and Half Moon
Two terrible twins rule their school, until the arrival of a headmaster with green scaly skin, sharp gnarly fangs, and a long spiky tail. An outrageously entertaining comic caper from the writer of Matilda the Musical.
Simon Thacker’s Svara-Kanti
Astonishingly powerful new trio: Scotland’s visionary guitarist/composer; the mesmerising voice of Raju das Baul, exponent of Bengal’s mystical Baul tradition; and tabla master Sarvar Sabri. 'One of the most important musicians of his generation' (ThreeWeeks)
KILN in association with Birmingham Repertory Theatre presents
A wildly unreserved gig that reinvents Clytemnestra’s revenge myth, casting her Furies of vengeance as front women of a rock band. 'They use their voices and bodies as weapons' - Lyn Gardner, Guardian. British Council Edinburgh Showcase 2015.
Metal claws into wood, with scraping sounds that are surprisingly whispering and soft, and through this slow destruction a startling disquisition emerges about female experience and the impossible balancing acts we are expected to maintain, by society, by other women, and by ourselves.
Open Clasp Theatre Company in association with Live Theatre
The prison van, fences high, a magpie. 'One for sorrow. Snatched the babies. The mother fought, but it was too big and flew too high.’ Devised by women from HMPYOI Low Newton and originally toured to male prisons.
“There is no use in rage. There is no use in screaming. There is no use in crying out and screaming ‘this is unfair’, just wait, cause no one cares.” In a world of globalization and greed, of zero-hour contracts and The Big Bang Theory, violence worms its way into every aspect of our lives.
An investigation into what happens when we discover that our parents are flawed human beings. Intimate and funny, this play presents a lifetime of conversations, condensed into one hour.
KunstZ, Big in Belgium, Richard Jordan Productions, Theatre Royal Plymouth
Is this a story of extremes, of bi-cultural upbringing, or is it simply the story of all mothers and daughters? Sachli Gholamalizad, a young Belgian actress of Iranian descent, questions her troubled relationship with her mother.
Five women stand on a cliff-edge overlooking their village; a village which is soon to disappear. “Sometimes we need to do things like this; we need to step away from our daily lives, and look at them from a distance.”
Duse Studio Productions
Miraculous true story of four friends and their inspirational conversations with otherworldly beings during a time of great peril. A tour de force performance where audience meets actor for a life-changing spiritual infusion.